The authors of the stories in Crazy Little Spring Called Love (order here) sat down to answer some questions for their readers. For links to the full list of interview questions, teasers, and more, visit the blog tour page.
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Question 5: Fantasy Worlds
One of the most fun things about writing fantasy is creating a new world–or a secret world that exists within/beside/above our own. Describe your fantasy world, and talk about how it’s different–and the same–as ours.
My story takes place in our modern world, with two ancient characters. I’d say it’s more of an alternate reality, happening at the same time as ours. In the story, the humans know about the Oceanus Resort and it’s something of a gathering spot for the world’s elite. Of course, being Zeus’s home away from home, it’s lavish and golden and covered in precious gems and marble, as one does when one is the ruler of all. LOL. Then the story moves to modern day Manhattan, which is basically the same as it is now.
Pennora’s world exists within the real world, but with magical wards that protect its true identity. The fairy inhabitants embrace most technology, but still keep their old traditions. Protecting nature is of primary importance, since that’s the source of their magic, so keeping their world secret is very important.
“A Hunt for Love” is set in the real world with one big difference—there’s at least one djinn who grants wishes. After clearing out his grandmother’s attic, Adam (the hero) is out planting flowers. He rubs the planter, and out pops Janessa (djinn of the planter) in a burst of silver sparkles. Since this story is kind of a one-and-done, the magic is just there. Though, it was really fun working in references to Disney’s Aladdin.
In this world, I’m still playing around with how magic works, the nuances of the culture, and exactly how well-developed they are. They are at least at Industrial Revolution-level technology, with factories and steel-working capabilities. Maybe not electricity yet, though. And magic is rare in humans, although magical creatures and gods exist. The society is extremely communal, and concepts of ownership are present but fluid. Responsibilities are shared and children belong to the community as much and sometimes more than to their parents. The hardest thing about writing this story was trying to make it very equal–not overtly patriarchal or matriarchal. They follow the example of their god and goddess and think marriage is sacred–and because of that, they wait to make sure they’re with the right person to get married, sometimes until middle age or longer. Taking lovers is common, and children born of those unions are treated no differently than any others. And this particular pairing is F/M, but they are accepting of all forms of love and all forms of gender expression.
Seaweed and Silk doesn’t show off too much of the world, but Tovar is a place I’ve been writing in for a long time. I try to make it as difference from our world as I can without writing about were-bunnies. For example, Tovar is a sexist in women’s favor since witches tend to be female (men are discouraged from even trying magic). But I also don’t like it when Fantasy that gets stuck in the Dark Ages, so Tovar has big cities, metal ships, magic-powered indoor plumbing, and lighting.
I don’t like to think of fantasy worlds as that different. I think we can make a lot of our world more fantastic by just the power of our wills. I believe in self-manifestation, and thinking good things into being. My mother was right! If you believe it, so will those around you.
“Welded” is set in the real world, but some of the characters have magical abilities. They live in Iowa and travel for business when it suits them. They rely on themselves for justice and generally like to keep to themselves, as they have been persecuted for generations, though they do have extensive outside contacts with some dangerous and often unsavory outfits.
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